Featuring phenomenal performances by Alice Findlay, Oratile Manamela, Nicola Shapiro and Ketsia Velaphi, it takes on the repetitive nature of a boarding school ethos, punctuated by gossip and politics, lessons which are both rote-based and morally confusing, and the drugs, sex and other illegal experiments conducted in the school’s interstices.
In Mike van Graan’s ‘The Good White’, the pieces are all in place for an explosive denouement. Add a bit of protest performance, the demon of gender-based violence, and some shenanigans in the wrong bedroom, and you get the picture: It’s a scenario tense with energy and brittle with distrust.
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