It is Emma (Kaya Toft Loholt), the family’s younger daughter, who makes this work sing with a poignancy that hurts, it is so finely tuned. She’s a deadpan youngster, subject to the whims of grown-ups. Her passion lies in kicking the ball; she hates the colour pink and girly frocks.
WAR PRESENTS CASUALTIES on levels far wider than the conventional battle fields. There is the horror of a lack of closure, relentless vulnerability and ripples of hatred spewed in so many directions, conjoined as it often is, with ignorance. In The Old Oak, director Ken Loach takes on […]
OVER THE LAST few years, our social world has become so painstakingly aware of the possibility of offending others, that something has been lost in our ability to be candid. This sensitive nerve in contemporary society is explored excruciatingly in The Teachers’ Lounge featuring Leonie Benesch. It’s on […]
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