‘The Tramp’ is punted as a pocket musical; it contains an immense ambit which peers into the complex life of a man who skirted controversy wherever he went. It holds you with beautiful performances and a set that strips the Chaplin name of cliche and gives analogue the upper hand.
An editorial by Geoff Sifrin. SHOULD IT BE morally permissible for a film to be made, portraying Hitler as a clown, where constant salutes to him of “Heil Hitler” are a joke? Is comedy an appropriate medium for portraying the Nazis, 80 years after the Holocaust, when their […]
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beckkglass
Chester Miggels
Gillian Rennie
elizhanduvenhage
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Geoff Sifrin
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Kapisha Ramraj
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Palesa Moore
Peta Kaplan
Robyn Sassen
Saleemah Shaik
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Willem Pieter
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