ZANE MEAS ADORES everything about South African writer Chris van Wyk. It’s about the cunning and oft self-deprecating magic of being Coloured in a world that doesn’t consider you black enough or white enough. It’s about the chalky memories of racism and the mixed up words and opaque […]
THERE’S STILL TIME to change your plans today and go and see what is arguably the finest piece of dance that has graced Johannesburg’s stages in a long while. Dark Cell, choreographed by Themba Mbuli and Fana Tshabalala is a contemplation on the horror of political incarceration. Focused […]
IF A PLAY finds you googling for information, or better still, scrabbling amongst your bookshelves after you’ve seen it, it must have done something right. Congo: The Trial of King Leopold II has a fabulous cast and premises rich with dangerous and interesting promise, that points in the […]
EVERY SO OFTEN in any artistic community, there’s an upsurge of aesthetic do’s and don’ts. It has as much to do with intellectual fashions of the day as it does with the personalities and egos in the industry. But it gives vent and platform to new voices, headlined […]
WHAT WOULD YOU do if your mother was publicly humiliated by someone who you considered a friend? Would you want to kill him? Would you have the capacity to turn the other cheek? Would your impotent rage find another outlet? This is the central focus of Isithunzi, a powerful […]
HOW BEST DO you tell a story sullied and broken by trauma? Do you blurt it all out in one brutal shriek? Or do you give it context and framework? Do you make it circuitous? And funny? Joseph Heller did it. Alan Bleasdale did it. As did Luigi Pirandello. […]
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