The production is delightful. It offers the now-57-year-old musical levity. As it opens, the lighting is rich with nuance. It feels like you’re gazing at a tableau of Rembrandt’s 1635 Belshazzar’s Feast not only for its colouration, but also in the evoked debauchery, teetering on the edge of biblical taboo.
Please note: This production makes extensive use of strobe lights. FEE-FIE-FOE-FUM! YOU CAN smell the energy of a brand new pantomime, which reeks ‘event’ in glittery stuff and shiny things from the moment you enter the theatre. There are some very clear budget cuts in this year’s Joburg […]
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Peta Kaplan
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Willem Pieter
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