The text is penned by people much younger than Homer, which presents a flattening of the old narratives, and a simplifying of them into platitudes of anger that sees the bashing up of guys perceived to be worthy of a good bashing up, or better still, a very violent death.
The question of a baby is answered severally as the play unfolds. It’s an answer concerning life, the universe and everything, rather than being about The Right Thing to Do at this time in a relationship. ‘Lungs’ takes us right through life’s trajectory, and it’s agonisingly relatable, whatever your age.
MUSICAL TALES THAT wag a finger or six at values which keep young blood closeted in ignorance have a danger of warming the cockles of the heart even before the curtain rises. Sylvaine Strike’s adaptation of Frank Wedekind’s establishment-rattling work Spring Awakening which was only first performed some […]
TAKE THE GENRE of the South African farm novel, throw it in the air with all its idiosyncrasies and hypocrisies, violence and violation, broken promises and trashed dreams, and a great contemporary South African classic is born. Take the work on stage, and a different kind of magic […]
FORTY-ONE YEARS AGO, Paul Slabolepszy’s play Saturday Night at the Palace rocked the theatre-going sensibilities of South Africa. This was art so close to the mirror that it reeked and terrified. It’s enjoying a season currently at the Joburg Theatre, under the direction of Albert Maritz and it […]
IF YOU SEE one show this festival – or maybe this lifetime – do whatever is necessary to get to see Firefly. In the tight and clear but unabashedly mad ethos that Sylvaine Strike opposite Andrew Buckland represent, this play touches on the big questions of life in […]
THERE’S SOMETHING RICHLY poignant about the glitz and perfume of a vibrant theatre industry that we once loved deeply and maybe took for granted. There’s something terrifying about a society in lockdown which allows its art freelancers to be tossed under the proverbial bus, many of them with […]
FILM REVIEW: A STREETCAR NAMED DESIRE. THE ROLE OF Blanche du Bois in A Streetcar Named Desire has, since 1947 when Tennessee Williams first penned it, become iconic as a reflection of the tawdry vulnerability and bravado of a character losing her moorings, while she pretends to be […]
ROUGH AND WISE words constructed around a complex and nuanced narrative and cast within the folds of metaphors and figures of speech, wickedly flipping languages up against one another, can never get old. Particularly if they are performed with a guttural perfection that is peppered with physical theatre […]
IT IS A great rarity for a theatrical work to be able to touch the nub of a complex issue that bruises a society, with potency, conviction and directness. It is even a greater rarity when the work in question is the product of unseasoned performers. And while […]
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