With her impish gap-toothed grin and her sprite-like existence onstage and in the interstices of the stories she told, fearless and impetuous dancer and choreographer Dada Masilo leaves a brilliant legacy that radically shifted an understanding of what dance from South Africa can and should be, anywhere in the world.
PETITE YET FEISTY, full of passion and dance knowledge, Maxine Denys held the flame for classical ballet with an innate sense of dynamite. But more than just dance technique, she was a woman of wit and charisma, who not only gave Sleeping Beauty’s Carabosse the verve she requires, […]
IN THIS WORLD, where there is a growing pall of homophobic legislation in a whole clutch of countries, it is a breath of fresh air to see drag pushed all the way out in the spotlight. New York-based Men in Tutus brings some frissons of lewdness, a healthy […]
LIKE BEETHOVEN’S FIFTH Symphony or Van Gogh’s ear, Tchaikovsky’s Swan Lake has become iconic in a very broad understanding of what western culture is. Go to anyone in the street and competently whistle the tune of the Song of the Cygnets and they will know what you’re on […]
Silence is a complicated medium to use in contemporary dance. As is ballet. Particularly if it is being put under a rich loupe filtered with a deep understanding of gender binaries, 19th century European frills and trills and crazy little mannerisms that have become something looked up to […]
Even before the lights go down, in anticipation of the start of this, the 21st season of Doo Bee Boobies, Eartha Kitt’s 1953 number I want to be evil filters through the bordello-like redness of the theatre, lending a lush and earnestly hilarious tone to something so extraordinary, […]
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