SAY THE WORD ‘Fiddler’ in the film context to virtually anyone you meet, and they will know exactly what you mean. Fiddler on the Roof is like Van Gogh’s ear or Beethoven’s Fifth, in a broader cultural sphere. It’s also up there as the pinnacle of shlock culture […]
TAKE AN HISTORICAL site of worship that shrieks 1980s community in South Africa. Rattle its proverbial bones with the shadows and demons of what was profoundly taboo to that sense of community, then. Toss in some harsh lights, a dash of stage smoke and doef-doef music to make […]
NON-BINARY SOUTH AFRICAN performance artist Dean Hutton has stood on the outside looking in, for most of their life. While this may be a horribly lonely position for a child, it is one of supreme potency for an artist at the summit of their personal, political and artistic […]
WHO CAN EVER pooh-pooh the pathos and tragedy of Tevye the dairyman? Living in a small shtetl in an Eastern European place called Anatevka, which is threatened by rising anti-Semitism, this character, penned by the inimitable Sholem Aleichem from 1894 is the profoundly religious father of five feisty […]
THE IDEA OF writing a conventional tribute to Linda Givon, the founder of the Goodman Gallery, who died suddenly on 5 October 2020, at 84, seems trite. This is because she was much more than the pedestrian sum of her parts. She was born, educated, married, divorced, widowed. […]
FILM REVIEW: CUNNINGHAM. HE REFUSED TO be known as ‘avant-garde’, but set fire to every dance cliché and rule that you can think of, in his outstanding and bold repertoire, answerable to no one. This was Merce Cunningham, celebrated in Alla Kovgan’s beautiful film, Cunningham, which features on […]
DANCE REVIEW: PEST CONTROL. YOU DO NOT need to know the dirty politics of the arts in contemporary South Africa in order to access the angry new dance missile which Mamela Nyamza launches at this year’s National Arts Festival. You do not need to know the specifics of […]
FILM REVIEW: MOFFIE HOWEVER MUCH OF the horror and cruelty you may think you will experience in Oliver Hermanus’s Moffie, there will be more. This searingly important testimony to the obscenity of South African apartheid is riddled with the kind of truisms that will make you wish to […]
In a moment, he takes an audience who is laughing and chatting loudly, and renders it speechless, quietly weeping and praying. This is the starting point of Albert Silindokuhle Ibokwe Khoza’s Red Femicycle, which has enjoyed a few platforms in Gauteng this year. An essay on the scourge […]
VISUAL ART HAS primeval, ritualistic roots; amid the moneyed operations of galleries and the cloying notion of commercially accessible easy art, sometimes those old levels of cruelty and wisdom poke through. When you encounter the current body of self-portraits by Steven Cohen, collectively entitled There’s glitter in my soup!, […]
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