WRITING IS A messy business. It’s a mixture of grammar and correctness, of rhythm and texture, of perspective and controversy. But occasionally it can be so devastatingly lucid that a scene read more than 20 years ago, can still haunt. Irrevocably. Bruisingly. It takes a truly remarkable team […]
HOW DO YOU represent sexual violence on stage? It cannot be sexy. It cannot be comical. It cannot be beautiful. It cannot be explicit. It also cannot be abstract. Your audience has to go away from the spectacle shattered with an understanding of the horror, the irrevocable violation that […]
CAN ONE REALLY ever successfully conflate politics with art, yielding a resolved and engaging artwork and a convincing political gesture at the same time? Art and theatre history is littered with the casualties of this earnest cleaving together of values. And often political crudeness will hammer the nuances in […]
If you’re seeking fine excuses to go to the National Arts Festival in Grahamstown this year, seek no further: Jenine Collocott and Nick Warren have once again been putting their very fine heads together, and this time have yielded a theatrical essay on Mandela’s childhood which soars with […]
When you think of the idea of celebrating the life of a great political icon in song, Argentina’s Eva Peron and the astonishingly flawless film Evita made by Alan Parker in 1996 comes quickly to mind. It was based on the Rice/Lloyd-Webber stage production of the same name, […]
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