It is here where the dead rise palpably and in beautiful costumes and choreography, to jiggle their bones and have discourse with those who mourn them. Frida takes the whole of the first act to be convinced to visit her Diego, who wasn’t all that gentle while she was alive.
Oliver Laxe’s film Sirât, could be the defining moment of this year’s European Film Festival in South Africa. It’s a tale in the here and now, conflating a music rave with an aggressive military presence, the fragility of life against the enormity of desert energy. It is magnificent, terrifying: simultaneously.
SOMETIMES A NOTHING of a story can be the perfect shell for a mix of humour, philosophy and drama. And with the fabulous Javier Bardem at the helm of The Good Boss, you can anticipate narrative magnetism. It’s on this year’s European Film Festival; designed to be hybrid, […]
IF YOU NEED a pick-me-up story that touches on all the bases of being alive and rubbishes traditional values that don’t always have a fairy tale ending in real life, you need to imbibe Rosa’s Wedding. Directed by Icíar Bollaín, this Spanish film is unequivocally, the feisty nectar […]
Combining a rich, yet candidly legible ensemble of platitudes and values, nostalgia and truths, without slipping into a pond of maudlin and with several hilarious and jolting bends in the tale, Bernabé Rico’s One Careful Owner is a complete delight, which will bring on the tears of tonic […]
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