Movement doesn’t need a thesis statement. The imagery that Transcendent shapes is unmistakeable, evocative and simple. It need not be anything more. Movement cannot lie. A single move can make you as powerful as it can make you vulnerable. And the performers beautifully hold this tension between power and vulnerability.
The narrative of ‘A Streetcar’ is rich with tropes central to the South African taxi industry, and its complex social and economic history. Listen to the discourse. Taxiology in South Africa is a real thing, about spicy micro-narratives and social protocol as well as about God, the universe and everything.
THE POWDER KEG of young men on the cusp of adulthood is the culturally messy and politically dangerous one that filmmaker John Trengove and his team grasped with both hands and many hearts in Inxeba (the Wound), which first saw light of day in 2017. It proved to […]
MULTI-TALENTED MASTER OF fiercely bright colours and the unequivocal backbone of the Durban arts community, Andrew Verster was known for his magnificent fine art and theatre design, as well as his contribution to the National Arts Festival. He wrote, mentored and allowed the audacity of art to run […]
TRIBUTE TO SIBUSISO KHWINANA, RESEARCHED BY INEKE HURTER. A fresh young artist with a promising career ahead of him, Sibusiso Khwinana was the face of the 2019 South African coming-of-age comedy Matwetwe. He was also the face of immense optimism and hope in arguably one of the toughest […]
DANCE REVIEW: AMAWETHU. THE STRATA OF South Africa choreography run rich and deep and are about education and values as much they are about tradition and magnificence. We have in this country a plentiful culture of dance companies which have stretched their members to take authority on what […]
WHEN YOU PAY your money to see a production on a stage, implicit in that fee are at least four rights you are entitled to; rights firmly endorsed by the international theatre community: You expect that you will be safe – and that you will feel that you […]
IN EVERY GENERATION, real issues need to be taken seriously by the youth. Ours is no different. And these ‘real issues’ include struggle history. It’s a curious thing to be able to watch the focused attention awarded to a play about youngsters in 1980s South Africa, torn and […]
WHAT ARE THE basic parameters that inform a festival of contemporary dance? Should there be a gatekeeper who assesses wannabe shows on the gig and plays god, in his or her ability to give a hopeful group of applicants the ‘yay’ or ‘nay’? And who is that gatekeeper? […]
PICTURE THE SCENARIO. It’s the mid-1970s in the boroughs of New York City, and white working class teenagers are dancing themselves wild because there’s nothing else to do to keep body and soul together, other than joining the church or getting a low-key boring job. The opening chords […]
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