WHAT ARE THE basic parameters that inform a festival of contemporary dance? Should there be a gatekeeper who assesses wannabe shows on the gig and plays god, in his or her ability to give a hopeful group of applicants the ‘yay’ or ‘nay’? And who is that gatekeeper? […]
SOMETHING HAS TO be said for the frenetic, sweaty joy of being in a theatre full of children, who are cheering their peers on, in the name of dance and drama, music and art-making. It lends an unequivocal sense of possibility to the ether. And this is not just […]
In 2004, the late historian David Rattray single-handedly performed the tale of the Battle of Isandlwana, the first military encounter in 1879 between the British Empire and the Zulu Kingdom. The heady mix of energy and fact, sound effects and drama, politics, supposition and legend, drenched as it […]
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