It’s a work sophisticated in its thinking, crude in its extrapolation. It speaks from the belly. While you’re guffawing with embarrassed recognition, the goosebumps on your skin rise; you feel feverish at the narrative underlying the words which subverts the dry face of statistics and shouts the ugly hypocritical truths.
BOOM! ONTO THE rudimentary set dominated with brown paper explodes a young man in a war helmet (Mathews Rantsoma), manning a paper aeroplane. He’s making sums that no doubt involve geography, mathematics, aviation and pilotry. Matters of consequence, you understand. The theatrical opening of the version of The […]
WHEN YOU KNOW there are children in the cast of a staged work, you instinctively lower the parameters of your expectations. They’re not professionals, after all. Theatre’s a difficult thing to do, if you’re a child. And it’s a truism that the fact of children on stage means […]
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