Movement doesn’t need a thesis statement. The imagery that Transcendent shapes is unmistakeable, evocative and simple. It need not be anything more. Movement cannot lie. A single move can make you as powerful as it can make you vulnerable. And the performers beautifully hold this tension between power and vulnerability.
The narrative of ‘A Streetcar’ is rich with tropes central to the South African taxi industry, and its complex social and economic history. Listen to the discourse. Taxiology in South Africa is a real thing, about spicy micro-narratives and social protocol as well as about God, the universe and everything.
TRIBUTE TO SIBUSISO KHWINANA, RESEARCHED BY INEKE HURTER. A fresh young artist with a promising career ahead of him, Sibusiso Khwinana was the face of the 2019 South African coming-of-age comedy Matwetwe. He was also the face of immense optimism and hope in arguably one of the toughest […]
DANCE REVIEW: AMAWETHU. THE STRATA OF South Africa choreography run rich and deep and are about education and values as much they are about tradition and magnificence. We have in this country a plentiful culture of dance companies which have stretched their members to take authority on what […]
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