The chorus of ‘The Portrait of Dorian Gray’ wins the day. It articulates just the right level of shrieking witch howls to keep the work ticking over and yet off-key. The texture of their presence evokes the disparity created by Polish composer Krzysztof Penderecki in his avant-garde contemplations of horror.
THERE’S NOTHING QUITE like a foray with the world’s most famous illicit lovers, told by young voices to young audiences. It’s like being witness to the passing on of the baton to another generation of theatre makers and it might give you goosebumps, when you see Shakespeare’s Antony […]
IT’S RATHER AN odd kind of name to be trending around senior high school students at the moment. Coriolanus is arguably one of Shakespeare’s densest and more difficult works. With no witches or ghosts, monsters or weather patterns to give it verve, it’s a tragedy of political violence and […]
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