LIKE IT OR not, death is the final prognosis of all of us, and veteran performer Simon Fortin takes this on with a full-hearted foray in his stage work … Or not to be, drawing on both Shakespeare’s litany and his own considerable experiences. Everything tender and sharp, […]
WHAT DOES IT take for a pretty love song to morph into a universal standard or an absolutely adored cover? Does it have to do with how frequently the audience may get to hear the tune? Or perhaps it has to do with its presence on the musicals […]
The sickening cycle of bullying and abuse is central to Evil, an important and compelling work which takes the nub of what makes men try and break one another and dissects it. Not only a foray into the complexity of society and behaviour, the work is taken to […]
OCCASIONALLY, IN THIS country and this industry, one is privy to a work that absolutely shines with all the values that good theatre promises to deliver. Amid all the political correctness, the paralysing self-censorship and other contemporary humourless ghoulies that beset our already beleaguered arts, there is this: […]
SAY THE WORD ‘tokoloshe’ and you will have people quivering in their boots for generations. But relieve that scary sprite of his evil associations and you open a rich vein of narrative possibilities that teases open everything from fake news to bullying, fah-fee rhetoric to face time with […]
CAN YOU IMAGINE the damaging complexity of being deemed “the most beautiful woman in the world”? This was one of the descriptions that dogged the complicated life of Austrian born American bombshell Hedy Lamarr, who most certainly was more than just a pretty face. Less acknowledged than her […]
EVERYONE KNEW HER face. Everyone. When SABC anchor Tracy Going was brutally beaten by her boyfriend, it was knowledge instantly in the public domain. This was a story that rocked South Africa, not only for its grotesquely sensationalist value, but it opened up a whole hornet’s nest of […]
WHAT IS THE best way of celebrating a grand old dame of hospitality in this city? Should it out-lavish its already rather lavish self, and appeal only to the very wealthy, with exclusive shiny deals? Should it publish a glossy book about all the guests who have stayed […]
WHEN SOMEONE LOOKS okay, you can’t always tell that they’re not. This is the central premise to Australian playwright David Williamson’s recent play Odd Man Out, currently on the boards in Johannesburg. It’s a work which is not only brilliantly conceived of and written, but it is one […]
SEXUALITY, SONG AND the fear of losing what matters comes under the loupe in Choir Boy, a hard-hitting, yet simple play which is sensitively and relevantly translocated from an American context to a local one. Comprising a cast of four young men who articulate the groups and cliques, […]
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