IN A WORLD where theatre-making has been violently pared by budget, here is a hefty chunk of utter magic that cocks a snook at all of those restrictions. Don’t have more than one scene, they say. This one’s got many. Cut your cast down to monologue-status, they insist. […]
South African storytelling has rich veins of possibility that draw not only from farm novel traditions, but also the criss-crossing of many cultures and biases that soils its reputation, but makes for good meaty yarns. This is what you will find in Victor Gordon’s sterling work Brothers, an […]
WHEN A GREAT story is told, it gathers together diverse energies, glues you to its ebbs and flows and allows you to walk away with its resonances ringing and rumbling in your heart and belly. Sometimes all it takes is a 90 minute foray into a rural landscape, […]
AN EXPLORER GETS a lot more than he bargained for, in Martyn Le Roux’s debut Afrikaans-language horror film which released on Vimeo last Friday. It’s a viable model for storytelling and the terror of the tale can be as close as your computer screen, with live-streaming. Die Pelsloper […]
FORCING HILL-BILLY VALUES under the loupe and lasso of cowboy energy, Sam Shepard’s 1980s play, Fool for Love offers a raging and meaty reflection on broken love in a grubby world of lies, taboos and indiscretions. Director Janice Honeyman takes the project by its heart, and Kate Liquorish […]
GRAVEYARDS ARE FASCINATING and complex ciphers of values. They’re about grounding one’s memories and honouring those who are no longer with us. They’re about a level of sacredness which touches everyone at the core. This is the premise of Athol Fugard’s devastatingly potent work, The Train Driver and […]
THE POTENTIALLY SINISTER and foetid context of what goes on — or used to go on — behind closed farm doors in grim and unbending religious South Africa comes under close and gory scrutiny in Reza de Wet’s riveting tale of incest and dirt, horror and gamesplaying. It’s […]
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