WHAT DO YOU need to be able to take your life, warts and all, and explain it from its awkward bullied beginning until today, to a total stranger in a way which makes them laugh and cry and get something out of it? A combination of self-love and […]
COSTA CARASTRAVRAKIS HAS everything. From a name that gets the tongues of non-Greeks in knots before they even try to say it, to a sexual identity that gets the gossipy tables of flashy Greek mommies waiting for school to be out fiercely aflutter, to a mother with legendary […]
WHO CAN EVER pooh-pooh the pathos and tragedy of Tevye the dairyman? Living in a small shtetl in an Eastern European place called Anatevka, which is threatened by rising anti-Semitism, this character, penned by the inimitable Sholem Aleichem from 1894 is the profoundly religious father of five feisty […]
EVIL AND TERRIBLE leaders shape our world. It takes someone with a certain level of passionate belief in who he is and what he stands for, to commit the ultimate act of premeditated murder of such a leader. It doesn’t happen often, but it happened during the first […]
SEXUALITY, SONG AND the fear of losing what matters comes under the loupe in Choir Boy, a hard-hitting, yet simple play which is sensitively and relevantly translocated from an American context to a local one. Comprising a cast of four young men who articulate the groups and cliques, […]
It’s odd how the conjured image of a fruit can be such a potent conveyor of horror and sadness. Think of Mark Behr’s The Smell of Apples (1993) or Renos Spanoudes’s The Apple Tree (2002). Jan Groenewald’s Die Pruimboom (the plum tree), an Afrikaans play, fits in […]
In Ernest Hemingway’s treatise on bull-fighting, Death in the Afternoon, there is a fabulous cleaving of fact with fiction, leaving you not only mesmerised, but informed and entertained. Renos Spanoudes’s latest piece of theatre does exactly that, offering peeks into the complexity of Greek identity in South Africa […]
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