Replete with cruelty, nakedness, burning incense and song that will reach into the very chambers of your heart, ‘The Black Circus and the Republic of Bantu’ is much more of a ritual than a spectacle. You emerge from the experience with a seismic sense in your gut. Something has happened.
In a moment, he takes an audience who is laughing and chatting loudly, and renders it speechless, quietly weeping and praying. This is the starting point of Albert Silindokuhle Ibokwe Khoza’s Red Femicycle, which has enjoyed a few platforms in Gauteng this year. An essay on the scourge […]
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