In this book, Rory du Plessis enables you to look into the eyes of people who were subject to mental institutions in South Africa and to experience a sanctification of them as individuals. This beautiful protest touches on the slippery issue of anonymity and intimacy without hurting the people pictured.
IN THIS AGE of social media, Wikipedia and any and every other kind of dumbing down and shallowing out of real thought, the presence of Ashraf Jamal’s anthology of art essays, published by Skira in 2017 raises a middle finger to lazy thinking, sloppy writing and weak academic […]
THEATRE REVIEW: BRETT BAILEY’S MACBETH. YOU MAY HAVE seen many productions of the Bard’s most violent tale of the catastrophe and tragedy of unbridled ambition, in your personal theatre-watching history. You may even feel a little blasé about the head counts and the blood spilled in this story. […]
THERE’S A POTENT and muscular articulation of joy as you enter the gallery space for the Stevenson Gallery’s celebration of its 15th anniversary. It’s difficult to pinpoint why this happens because contemporary artwork is traditionally not happy but contemplative, not easy but sophisticated and often very self-focused. The […]
COMIC HEROES HAVE, since they were first thought up and drawn in the late 1930s, had a very particular place in a child’s values. The values of a white child, that is. Why? Because these great and noble chaps who don cloaks and masks or turn green with […]
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