HOW DO YOU look back on close to six decades of incredulity at the caveats and bouquets of humour so off the wall that only politicians could have written them? Pieter-Dirk Uys’s latest theatre production, Sell-By Date, which performs at Montecasino until 10 September looks at a lifetime […]
IT TAKES IMMENSE skill and maturity to know that the telling of a story filled with detail and drama, with interstices of horror and loss and replete with almost 60-year-old ghosts is done not with gimmicks and tricks, with big noise and flashing lights, but with an old […]
LOSS. IT’S SOMETHING that has characterised so much of our emotional landscape over the past two and a half years, and yet it’s so enormous and universal and specific and intimate that none of us are able to fully cast ourselves around what it means. It’s stupendous. And […]
IT TAKES IMMENSE skill and maturity to know that the telling of a story filled with detail and drama, with interstices of horror and loss and replete with almost 60-year-old ghosts is done not with gimmicks and tricks, with big noise and flashing lights, but with an old […]
By Geoff Sifrin YOU CAN TELL important things about the influence a person had on the world by the way in which a memorial speech or a tribute, after he or she dies, ends. Generally, at a gathering of colleagues, family and friends, there would be some speeches […]
AS SHE APPEARS on stage brokenly and almost distractedly singing words and phrases from the Christian hymn which begins “Immortal, Invisible, God only wise…” Jenna Dunster in the role of Hazel Smith hauntingly sets the scene. The set of Immortal is sparse, but for some large stones and a […]
Occasionally one comes across a production in which the behind-the-scenes fun factor of the work spills out with such abandon and into the audience that it becomes immediately contagious. This is far and away the case with the current production of Nikolai Gogol’s Government Inspector, which in terms […]
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