This story has a weight that cannot be told with a clean chronology. It’s about love and loss and big promises which are devastating and seismic to keep. It’s about holding on to the things that matter and the memories of love on a light tower in a music festival.
‘Bitter Winter’ happens in a waiting room. It’s about apartheid and the shifting of the world from analogue to digital. It’s about how tightly one holds onto one’s embarrassing and life-forming secrets as it is about being in the same proverbial boat as another actor, regardless of age or experience.
THEATRE IS NO only alive and pumping in South Africa; it is world class. Take a gander at Ashley Dowds in one of this country’s contemporary classics, Paul Slabolepszy’s The Return of Elvis du Pisane, and you’re got the picture: gritty, funny, tragic, universal and something that will […]
SOMETIMES THE UNIVERSE has to grab you by your shirt fronts and force you to focus on what matters, regardless of the bits and pieces you may think you have to do. This, conjoined with a woo-woo tale feathered by old truths and trendy values is the central […]
FORTY-ONE YEARS AGO, Paul Slabolepszy’s play Saturday Night at the Palace rocked the theatre-going sensibilities of South Africa. This was art so close to the mirror that it reeked and terrified. It’s enjoying a season currently at the Joburg Theatre, under the direction of Albert Maritz and it […]
SHE WAS ONE of the South African media’s darlings from the 1950s with her tales of aliens, UFOs and her own abduction and seduction, pregnancy and childbearing. It was a story too good to be true for news editors, journos and cynics alike and even if you were […]
DWAYNE COMBRINCK IS a man with demons. You can see this as he walks into his workshop, a bloodied baseball bat in hand. You can see this in the anger he articulates and the acerbic vitriol he spews when provoked. But not all of his demons are fuelled […]
A tatty Johannesburg nightclub, where apartheid is rife, the living is edgy and sex is a panacea for everything: welcome to Cincinatti. This play was workshopped in the late 1970s under the direction of the Market Theatre’s cofounder Barney Simon and a cast of theatre heavyweights of the […]
If you were white, young and English-speaking in the 1960s, 1970s or 1980s in South African suburbia, you may’ve been privy to a particular lexicon of words like ‘tit’ (nice), ‘jislaaik’ (an expression of wonder), ‘kotch’ (vomit) and ‘boghouse’ (toilet). We were under cultural embargo. Apartheid was rife. […]
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