Soprano Louise Alder in the role of Zdenko/Zdenka lends ‘Arabella’ a feisty sense of character and her performance is one of the best reasons you should steel yourself to see this work. Her role is small, counterbalanced against that of the eponymous Arabella (performed by Rachel Willis-Sørensen), Zdenko’s elder sister.
IT TAKES IMMENSE skill and maturity to know that the telling of a story filled with detail and drama, with interstices of horror and loss and replete with almost 60-year-old ghosts is done not with gimmicks and tricks, with big noise and flashing lights, but with an old […]
IT TAKES IMMENSE skill and maturity to know that the telling of a story filled with detail and drama, with interstices of horror and loss and replete with almost 60-year-old ghosts is done not with gimmicks and tricks, with big noise and flashing lights, but with an old […]
IT TAKES A tremendous amount of skill and wisdom – as well as, of course, courage – to be able to tear and resew the traditional fabric of a novel and turn it inside out, tossing convention to the ether. Will, the passenger delaying flight …, may well […]
ART REVIEW: LOVE IS A DANGEROUS DRUG HOW DO YOU tell the story of a complicated life in a way that visitors to an exhibition can access, empathise with and take something away from, without detracting from your story? You have their attention for a fleeting 30 minutes, […]
THE SADDEST CASUALTIES in 1917, the highly feted First World War film earmarked for Academy Awards in 2020, are the important memories of the Mendes family. Clearly premised on precious tales of war passed down through generations, this is quite obviously a film with a lot of family […]
A TALE OF cheapskates and liars, an anti-capitalist dictum couched in some of the Western world’s most loved and most vicious of ballads, The Threepenny Opera graced Wits’s stages last week, in a student production under the directorial hand of Fiona Ramsay, who teaches them. It sizzles and […]
TAKE AN ALREADY angry and energetic approach to art making with a political edge, and exacerbate it with shoddy politics, unethical behaviour and the distressing circulation of the notion of ‘alternative facts’ in the country and the world, and you get Blessing Ngobeni’s current solo exhibition – the seventh […]
IN 1984, DAVID Jones directed a delicate little film called 84 Charing Cross Road. It starred Anne Bancroft opposite Anthony Hopkins. It was a low key work which got critical acknowledgement but not a great deal of audience love, simply because the closure it embraces is death, rather than […]
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