It’s about the wiliness of a five-year-old and the mess of political and geographical possibilities in the interstices of the Cape Flats and what can happen in the blink of an eye to a child who recognises an ostensibly friendly grown-up’s hand, without analysing it or colouring it in fear.
AS THIS FILM begins to unfurl, there are moments, from a cinematographic perspective that will leave you with your mouth hanging open. Devastatingly beautiful washes of colour and light conveying men on horses and a community broken by discontent permeate this work like swathes of poetry. This film, […]
An editorial by Geoff Sifrin. SHOULD IT BE morally permissible for a film to be made, portraying Hitler as a clown, where constant salutes to him of “Heil Hitler” are a joke? Is comedy an appropriate medium for portraying the Nazis, 80 years after the Holocaust, when their […]
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Willem Pieter
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