With all of its apparent chaos, the story lines in Daniel Buckland’s Afropocalypse are crystal clear and the surreal topsy-turvy values articulated from the idea of an African apocalypse are held sacred and gorgeous. And not a little scary, at times. Be prepared to give tears and laughter on cue.
ANY MANIFESTATION OF the arts in the public domain involves collaborative energy, give and take, the use of others’ expertise. And the names of those people are mostly not on the headlines of the work. Ask any sub-editor, stage manager, gallery factotum or set designer. Björn Runge’s film […]
SOUTH AFRICAN AUDIENCES are not generally privy to strong theatre works that engage meaningfully with a Middle Eastern narrative, clean of the clutter of political positioning. Standard Bank Young Artist for 2016, Jade Bowers, brings you Scorched a play written by Wajdi Mouawad in 2003 and in many respects, […]
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