VERY OCCASIONALLY, SOMETHING comes along which not only ticks every conceivable box in terms of a great production, but it also sets the audience on fire with delicious abandon, and has otherwise demure people dancing in the aisles like demons; people who will drive home with the CD […]
Remember Sesame Street and the values it espoused on generations of children? Well, 15 years ago, the makers of Avenue Q worked with its basic puppetting premises and ramped it up to a whole new set of narrative values. Now, in its 15th year, it explodes in a […]
THE TROUBLING TRUTHS of the prevalence of the selfie and the way in which contemporary society is so deeply focused on its cell phones is something that has been pondered by thinkers and hacks alike. Social media seems to be here to stay, and it’s pulling our values […]
THE OPENING NIGHT of Dance Umbrella 2018 was one filled with gasps. Gasps at the formal announcement by its artistic director Georgina Thomson that this, the 30th iteration of the contemporary dance festival was to be its last. And gasps in response to the quality of work curated […]
THE POTENTIALLY SINISTER and foetid context of what goes on — or used to go on — behind closed farm doors in grim and unbending religious South Africa comes under close and gory scrutiny in Reza de Wet’s riveting tale of incest and dirt, horror and gamesplaying. It’s […]
THE HIGHLY POWDERED corpse-white face which seems to be disconnected from anything else, pokes through shimmering curtains. It has red cheeks and blackened eye-holes, a startling grimace and a proclivity to spew rhyming lines from its mouth with abandon and complexity. This malleable and mesmerising face sets the […]
FEEL LIKE AN evening of manners and frippery, ghosts and howling wolves, complicated hairstyles and seriously big dresses? The Mystery of Irma Vep has something for everyone, and it’s a slick, quick and deliciously fine production that will keep you laughing for months. The Pieter Toerien theatre has […]
IT’S THE SILENCES and gaps between words and the construction of the unspoken beat in this intriguing Pinter work, that lends it its potency and dramatic verve, but it is this potency mixed with extremely classy performances, an understated set and an unequivocal elegance that gives it the […]
A heady mix of irreverence, theatricality placed in a set simple in its magnificence, that is ramped up all the way and features contrivance pushed to the giddy hilt, Tartuffe is a tightly focused, beautifully choreographed tribute to Molière, which indulges in such an array of over-the-top shenanigans, […]
SOUTH AFRICAN AUDIENCES are not generally privy to strong theatre works that engage meaningfully with a Middle Eastern narrative, clean of the clutter of political positioning. Standard Bank Young Artist for 2016, Jade Bowers, brings you Scorched a play written by Wajdi Mouawad in 2003 and in many respects, […]
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