SHE SAID, HE said and the vulnerable young woman servant without a voice hasn’t a chance in a context where she can be labelled one thing and hung for it. Push anyone far and ruthlessly enough with the threat of their worst fears at the price of their […]
FILM REVIEW: A MIDSUMMER NIGHT’S DREAM. CAN YOU HAVE too much midsummer madness at the same time? It’s an odd decision for arguably two of the biggest of London’s theatres to be live streaming the same play at virtually the same time. Truth be told, if you watch […]
FILM REVIEW: SMALL ISLAND. A TALE OF hate, love and the indignity of war, Small Island is one of those massive narratives that should enjoy the kind of classic currency of Margaret Mitchell’s Gone with the Wind. With the fabulous Leah Harvey as Hortense, the intense eye to […]
TEASER FOR A FILM: THE MADNESS OF GEORGE III. SOMETIMES A THEATRICAL production sails through your values like an absolute tornado. It tickles all your funny bones and gets the intellectual cogs in your head whirring. Mark Gatiss takes the lead of the 2018 Nottingham Theatre production of […]
FILM REVIEW: CORIOLANUS. THE UNCOMFORTABLE MYTH which sees a greatly loved hero get vilified and banished with the ebbs and flows of societal energies is one of the streams of narrative that infuses Shakespeare’s Coriolanus. But like his works of the ilk of King Lear, there is so […]
FILM REVIEW: THIS HOUSE. YOU DO NOT need to be an expert in the shenaginans of British political history to be swept away on the current of caustic cynicism and dead pan humour that sutures together this beautiful piece of theatre. James Graham’s contemporary work aligns Tory values […]
FILM REVIEW: A STREETCAR NAMED DESIRE. THE ROLE OF Blanche du Bois in A Streetcar Named Desire has, since 1947 when Tennessee Williams first penned it, become iconic as a reflection of the tawdry vulnerability and bravado of a character losing her moorings, while she pretends to be […]
THEATRE REVIEW: TWELFTH NIGHT Humour is easily one of the most difficult genres to uphold: it dates; what may have been pants-wettingly hilarious in the 1500s, might be simply boring or perplexing today. In the hands of Simon Godwin, however, the gender fluid wildness of William Shakespeare’s Twelfth […]
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