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Tag: #nationaltheatre

Of rude vessels, mediocrity and gods

FILM REVIEW: AMADEUS AT THE NATIONAL THEATRE. THE CURIOUS FLAW in this almost mythic tale of maverick talent, jealousy and the celebration of mediocrity, is how it is hinged on ostensible fact. Peter Shaffer’s 1979 play Amadeus took some fuzzy hearsay around the life and death of 18th […]

Honourable members, football hooligans

FILM REVIEW: THIS HOUSE. YOU DO NOT need to be an expert in the shenaginans of British political history to be swept away on the current of caustic cynicism and dead pan humour that sutures together this beautiful piece of theatre. James Graham’s contemporary work aligns Tory values […]

Paean to an African hairdo

FILM REVIEW: THE BARBERSHOP CHRONICLES. WHERE IS IT that African men get to kick back, let their hair down and loosen their tongues? The communal urinal? The local bar? Under the pen of Inua Ellams, it’s the barbershop; South African writers of the ilk of Tony Miyambo, Sue […]

The meaning of treasure. And cheese.

THEATRE REVIEW: TREASURE ISLAND. PATSY FERRAN IS a Spanish-born actor, who at the time of the stage debut of the National Theatre’s Treasure Island was in her early 20s. The enormity of her presence, the wit and poetry of the manner in which she articulates and inhabits the […]

The rise and fall of Ms Eyre

THEATRE REVIEW: JANE EYRE. IF YOU’VE REACHED the point of misremembering the magic of theatre, having not seen anything live and outstanding since lockdown was declared a couple of weeks ago, look no further. Sally Cookson’s whopping three hour long production of Charlotte Brontë’s great 1847 classic Jane […]

Lucian, lionised

FILM REVIEW: LUCIAN FREUD – A SELF PORTRAIT THE CHANCE TO be able to get so close to the work of arguably the 20th century’s most important painter, Lucian Freud, that you can see the shadow between brushmarks, is phenomenal. Exhibition on Screen: Lucian Freud – A Self […]

How to meet your maker

A TALE OF lust and evil, worthiness and bias in the face of a racist society, teeming with some of the western world’s best known covers, Porgy and Bess seems to cock a snoot at everything that serious opera traditionally was about. Conceived and written by two Jewish […]