The Motive and the Cue is as much about the hierarchy and debauched embarrassing nature of theatremakers, who feed off one another’s intimacies as it is about the greatness they can produce when under the spotlight and in the spell of the work itself. Beautifully staged, it is a treat.
WHEN YOU THINK of Amadeus, Peter Shaffer’s perfectly wonderful play of 1979 that cast mischievous light into the mysterious nooks and untold crannies of the life of 18th century Vienna composer Wolfgang Amadeus Mozart, the first thing that comes to mind is the music, that Confutatis from Mozart’s […]
VERY OCCASIONALLY, THE world offers you an experience which is so utterly perfect in how it touches you, intellectually and spiritually, emotionally and with quirkiness, that it will change how you look at the world. This is what you can expect in the stage adaptation of Yann Martel’s […]
PLACE THEATRE DIRECTOR Yaël Farber and Shakepeare’s Macbeth on the same page and you may, in your mind’s eye and heart, picture a bloodbath of gargantuan and subtle proportions, replete with screams of agony and wails of horror. You won’t be completely wrong. Indeed, in Farber’s direction of […]
PREPARE TO BE swept away by the political ambitions of a humble orange-dungareed young man with a man ban, a blanket stick and a cheeky yellow Tom Cat, in the National Theatre’s pantomime Dick Whittington, which you can see, for the next couple of days, for free online. […]
FILM REVIEW: FRANKENSTEIN. This review is premised on the version of the work with Benedict Cumberbatch as the creature. What is it that gives us humanity? Nay, that gives us life? The stuff that distinguishes life from death is the substance of the 1817 prototype gothic horror novel […]
THEATRE REVIEW: TREASURE ISLAND. PATSY FERRAN IS a Spanish-born actor, who at the time of the stage debut of the National Theatre’s Treasure Island was in her early 20s. The enormity of her presence, the wit and poetry of the manner in which she articulates and inhabits the […]
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