From a giant toothbrush to a car tyre tutu, there’s a giraffe’s torso and a box from cremated ashes: the precious, the profane all in a beautiful conglomeration. There is respect both earnest and cynical paid to deceased mothers and representations of the horror of hate that leaves you queasy.
With an energy that evokes Jenna Ortega, the performer who took on Wednesday Addams and turned her from a cameo into a series, and an ownership of a beautiful text evocative of the presence Cara Roberts casts over The King of Broken Things, Crafford-Lazarus becomes Olivia, the girl in question.
Malo is a tale about a clown with heart, a ringmaster with a whip and a moon with a maiden in it. It’s about love – love gained, love lost and love gossiped about on a celestial journey peppered with strong-man tactics, fire eating, Honeymanesque puns and lots of aerial dancing.
Nicholas Wilcox endowed so many of his students with an unforgettable understanding of the value of play and of the complex freedom to fail. He showed youngsters how to embrace the absurd and chaotic in a world that could be cerebral and cruel as it could be beautiful and rich.
WHEN YOU HOLD a match to something flammable, you will get an explosion. But it need not be a destructive one: Pantsula dancer Ayanda Nondlwana aka “Fire Starter” or “Ace” was that kind of flammable, in the dance sphere. All the people who touched his life enabled him […]
MULTI-TALENTED MASTER OF fiercely bright colours and the unequivocal backbone of the Durban arts community, Andrew Verster was known for his magnificent fine art and theatre design, as well as his contribution to the National Arts Festival. He wrote, mentored and allowed the audacity of art to run […]
TRIBUTE TO LYNETTE MARAIS BY GILLIAN RENNIE. LYNETTE MARAIS died from cancer on 28 August 2020. In other times, theatres across South Africa would have dimmed their lights. But we are in lockdown, in hiding from a lethal virus, and so it is up to our socially distanced […]
THEATRE REVIEW: BRETT BAILEY’S MACBETH. YOU MAY HAVE seen many productions of the Bard’s most violent tale of the catastrophe and tragedy of unbridled ambition, in your personal theatre-watching history. You may even feel a little blasé about the head counts and the blood spilled in this story. […]
DANCE REVIEW: PEST CONTROL. YOU DO NOT need to know the dirty politics of the arts in contemporary South Africa in order to access the angry new dance missile which Mamela Nyamza launches at this year’s National Arts Festival. You do not need to know the specifics of […]
TRIBUTE TO SIBUSISO KHWINANA, RESEARCHED BY INEKE HURTER. A fresh young artist with a promising career ahead of him, Sibusiso Khwinana was the face of the 2019 South African coming-of-age comedy Matwetwe. He was also the face of immense optimism and hope in arguably one of the toughest […]
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