‘Master Harold’ is about the love and the shame and the hate that gets rolled into one messy stream of anger in the face of caring for a broken parent. And it is about the way in which a primal gesture can so sully a conversation that it annuls it.
In ‘Black Coffee’, everything, from a complete colour wheel of deadliest poison, to the toby jug in the room, to the sub-plot of secret plans for a bomb, not to forget the costumes and pin curls of the era, is perfectly handled. This is a well-made play at its best.
THE COURT DRAMA in the wake of a murder of passion is arguably the most enthralling context for a thrilling story to unfold. Put it in the hands of one of South Africa’s finest directors, know that it sparkles with the words of the queen of murder mysteries […]
WHEN YOU THINK of Amadeus, Peter Shaffer’s perfectly wonderful play of 1979 that cast mischievous light into the mysterious nooks and untold crannies of the life of 18th century Vienna composer Wolfgang Amadeus Mozart, the first thing that comes to mind is the music, that Confutatis from Mozart’s […]
THE SIMPLE, TIMELESS lyrics of Simon and Garfunkel are the kinds of conjoined words and ideas that may have slipped so quietly into your sensibilities that you may not remember how well you know them, until you’re sitting in the audience of the revue of the Simon and […]
VERY OCCASIONALLY, SOMETHING comes along which not only ticks every conceivable box in terms of a great production, but it also sets the audience on fire with delicious abandon, and has otherwise demure people dancing in the aisles like demons; people who will drive home with the CD […]
THE POTENTIALLY SINISTER and foetid context of what goes on — or used to go on — behind closed farm doors in grim and unbending religious South Africa comes under close and gory scrutiny in Reza de Wet’s riveting tale of incest and dirt, horror and gamesplaying. It’s […]
<<Warning: This production contains strobe lights and lights focused directly on the audience>> THE TRICK OF writing good material for a stage production is not about packing a story full of so much detail that it develops narrative indigestion, and then focusing interrogation-strong lights on your audience from […]
IT TAKES SPECIAL skill to tease open one of theatre and literature’s greatest works and to reinvent it. It takes even more special skill and creative bravery to be able to produce a work on stage that has been produced on myriads of other stages all over the world […]
SOUTH AFRICAN AUDIENCES are not generally privy to strong theatre works that engage meaningfully with a Middle Eastern narrative, clean of the clutter of political positioning. Standard Bank Young Artist for 2016, Jade Bowers, brings you Scorched a play written by Wajdi Mouawad in 2003 and in many respects, […]
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