Tag: Montecasino

Laugh: Things could be kakker

WITH HIS DISTINCTIVE white streak down the middle of his verdant Afro, his rubbery smile and his straight talk and complicated yarns, Marc Lottering is truly one of South Africa’s greatest treasures. His show, So I wrote that musical is performing at the Hilton Arts Festival in Pietermaritzburg, […]

Lessons in laughter at devils

AS YOU PUT your hands together in salute of this theatre work, and shift yourself to stand in loyal ovation, you are celebrating and honouring not only this particular theatre work, but the treasure that Pieter-Dirk Uys is to this country. It’s a feeling that floods through the […]

Caterpillar truths and cake-eating delights

CHILDREN’S THEATRE REVIEW: ALICE IN WONDERLAND. TAKING A HEAVILY-detailed Victorian foray into a world conditioned by what we would in today’s times call surreal and packing it into one hour for a predominantly contemporary childcentric audience, is one challenge. Arranging it for a cast of but four performers […]

Madness takes control

IT WAS A show that posed cheeky questions at well-established values, blew smoke in the face of modesty and even cocked a snoot at narrative flow. And this was in 1973, when the Rocky Horror Show first saw light of day. This madcap tale of forbidden pleasures and […]

Pour me another

ROUGH AND WISE words constructed around a complex and nuanced narrative and cast within the folds of metaphors and figures of speech, wickedly flipping languages up against one another, can never get old. Particularly if they are performed with a guttural perfection that is peppered with physical theatre […]

Wish upon a star

ICE SHOWS IN Johannesburg are strange phenomena. They come with promises of wow, and a sense of the amazingly exotic. And for the first few minutes after the curtain rises, you’re glowingly aware that the stage is all frozen over and every movement on it is conducted with […]

Evita’s no woman. She’s a legend.

THE QUEEN IS dead. Long live the queen. So begins Pieter-Dirk Uys’s current foray into the shenanigans and hypocrisies that have been the Vaseline of South African political intercourse for the last 40 years, and #HeTwo does the unthinkable. Uys, in his 70s, continues to ratchet up the […]