In Lucas Hnath’s ‘A Doll’s House Part 2’, there is empathy and fierceness in the give and take between social values. Zane Meas opposite Bianca Amato is splinteringly fine in his masculine vulnerability and sense of impotence with a softened edge of reconciliation for the damage that mansplaining can bring.
In ‘Stinkhout’, Frank Opperman and Wilhelm van der Walt take you flawlessly through three generations of white South African men. Hands-on emotion is hard. It’s embarrassing. Shame-worthy. They’ve been definitively schooled by defining moments of war and loss. Mental illness flows through the family’s blood. Taboo must be kept taboo.
PLACE THEATRE DIRECTOR Yaël Farber and Shakepeare’s Macbeth on the same page and you may, in your mind’s eye and heart, picture a bloodbath of gargantuan and subtle proportions, replete with screams of agony and wails of horror. You won’t be completely wrong. Indeed, in Farber’s direction of […]
“DON’T COMPROMISE YOURSELF; you are all you got,” were the words that Zoleka Helesi wrote on social media as a hook to her strongest beliefs. A giant of South African theatre, who took roles by their heart and guts allowed them to grab at immortality, Helesi believed implicitly […]
South African storytelling has rich veins of possibility that draw not only from farm novel traditions, but also the criss-crossing of many cultures and biases that soils its reputation, but makes for good meaty yarns. This is what you will find in Victor Gordon’s sterling work Brothers, an […]
AN EXPLORER GETS a lot more than he bargained for, in Martyn Le Roux’s debut Afrikaans-language horror film which released on Vimeo last Friday. It’s a viable model for storytelling and the terror of the tale can be as close as your computer screen, with live-streaming. Die Pelsloper […]
RUPTURING AUDIENCES FOR over 130 years, the story of a privileged young woman and her magnetic attraction to a young man employed as her father’s driver, is back on the international boards, as relevant, bloody and direct as ever. Julie, penned by Polly Stenham, draws from the Strindberg […]
THE POTENTIALLY SINISTER and foetid context of what goes on — or used to go on — behind closed farm doors in grim and unbending religious South Africa comes under close and gory scrutiny in Reza de Wet’s riveting tale of incest and dirt, horror and gamesplaying. It’s […]
IF YOU’VE EVER questioned the true value of the arts in this world, you need to see Dada Masilo’s Giselle. Summarily, and without hesitation it will strip you of any doubt. You might emerge crying from the experience and emotionally shattered, but you will be sure that what […]
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