Soprano Louise Alder in the role of Zdenko/Zdenka lends ‘Arabella’ a feisty sense of character and her performance is one of the best reasons you should steel yourself to see this work. Her role is small, counterbalanced against that of the eponymous Arabella (performed by Rachel Willis-Sørensen), Zdenko’s elder sister.
Based on a snippet from the New Testament, involving the relationship between Herod’s step-daughter and the powers that be, Salome features Yochanaan (John the Baptist), played by Peter Mattei in excruciating scenes touching on cruelty and madness, with a touch of necrophilia and nuances of child sexuality in the mix.
It is soprano Lise Davidsen in the double-sided role of Fidelio and Leonore, that holds the moment with such acuity, you cannot take your eyes off her. Her presence raises this opera to a paean of hope in the face of injustice, and absolute excellence in the face of mediocrity.
When Cavaradossi (Freddie de Tommaso), having been tortured emerges full of love for Tosca, his aria ‘E lucevan de stelle’, a declaration of his undying belief in her, will melt you. You know this song even if you don’t. And what De Tommaso does with it, will may you cry.
‘Grounded’ is a knock-out of a work featuring the magnificent Canadian mezzo soprano Emily d’Angelo, that offers a take on female identity in the man’s world of war and aggression. It breaks fresh ground with contemporary technology and will blow your mind with its take on moral trauma and complexity.
This is opera at its best … prepare yourself for a total treat, for the ears, eyes and soul. It will replenish you, even if you are not familiar with the work, or the medium of opera.
That feeling when you get into a warm bath after a difficult day, and you know everything will be alright is the kind of sensation you get in the remote audience of Puccini’s timeless classic Madama Butterfly. It’s not just about music that you will recognise from countless […]
IF YOU SLIGHTLY close your eyes through all the frippery and flappery of the first act of Puccini’s La Rondine, you might believe yourself to have been magically transported into an Aubrey Beardsley painting, with all its Art Deco glissandos and arches, gold leaf and quirky feathery headdresses. […]
THEATRE REVIEW: ROMEO AND JULIET. THERE IS SOMETHING eminently satisfying and comforting in this world, where everything is off kilter, of knowing that certain traditions are being upheld with a great sense of fierceness. Shakespeare’s Globe Theatre in London has, in its wisdom and generosity, established a free […]
RECENTLY, THE CINEMA Nouveau complex at Rosebank Shopping Mall underwent a facelift. But this was no complicated structural reconfiguration. It looks, on a superficial level, almost the same, except for some nips and tucks and a bar which serves small meals around the corner. This is the wisdom […]
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