The chorus of ‘The Portrait of Dorian Gray’ wins the day. It articulates just the right level of shrieking witch howls to keep the work ticking over and yet off-key. The texture of their presence evokes the disparity created by Polish composer Krzysztof Penderecki in his avant-garde contemplations of horror.
WHAT DO YOU do when you discover an implacable secret that effectively will cause tectonic shifts in your relation to the world in which you’ve lived up until now? Do you try to secrete it back where you found it? Do you address it and follow up all […]
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