It is soprano Lise Davidsen in the double-sided role of Fidelio and Leonore, that holds the moment with such acuity, you cannot take your eyes off her. Her presence raises this opera to a paean of hope in the face of injustice, and absolute excellence in the face of mediocrity.
SOMETIMES, IT TAKES a little more than the humdrum ebb and flow of domestic life that allows for spite and malice to manifest on every corner. Sometimes one needs to wake up, listen to the music and show a bit of empathy. This is the primary message in […]
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