The Motive and the Cue is as much about the hierarchy and debauched embarrassing nature of theatremakers, who feed off one another’s intimacies as it is about the greatness they can produce when under the spotlight and in the spell of the work itself. Beautifully staged, it is a treat.
TEASER FOR A FILM: THE MADNESS OF GEORGE III. SOMETIMES A THEATRICAL production sails through your values like an absolute tornado. It tickles all your funny bones and gets the intellectual cogs in your head whirring. Mark Gatiss takes the lead of the 2018 Nottingham Theatre production of […]
FILM REVIEW: CORIOLANUS. THE UNCOMFORTABLE MYTH which sees a greatly loved hero get vilified and banished with the ebbs and flows of societal energies is one of the streams of narrative that infuses Shakespeare’s Coriolanus. But like his works of the ilk of King Lear, there is so […]
SHE’S PETULANT AND childish, given to fits of rage and gout, and free enough in her sense of authority to lie on the floor and bawl or arbitrarily end someone’s working career, on a whim. Meet Queen Anne, a larger-than-life articulation of the unleashed lascivious baud and out-of-control […]
DON’T FALL INTO the trap of taking the lull in theatre productions in Johannesburg at this time of year as an indication that there’s nothing worth seeing. Alan Bennett’s The Madness of George III filmed by the National Theatre Live, takes the prize for the finest bit of […]
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