“THE MOST IMPORTANT thing to remember is to be ready to give up what you are for what you might become”, the timeless words of American civil rights activist WEB du Bois were close to the heart and value system of Shoki Mokgapa. An actress, theatre activist and […]
YOU KNOW THE little critters: you buy them off your buddies at primary school, pop them into a mulberry-leaf-filled shoe box with holes punched into the lid, and watch them chomp away and grow as you marvel at their fabulous metamorphosis. This new play, Silkworm, by the creative […]
THERE’S A VERY precious kind of gem being honed in the poor suburb of Hillbrow, which without Pollyanna high-jinks or saccharine overstatement, has the potency and power to literally change the world. Young@Home is an initiative which, like Donkey Child, a couple of years ago, is parented by the […]
THE YEAR’S BEEN grim, callous and ugly to most of us. We’ve lost people we’ve loved. And jobs we’ve relied on. War’s been apparent all over the place. As has disappointment in those who lead us. What better way to herald its closure than to indulge in easily […]
HOW DO YOU represent sexual violence on stage? It cannot be sexy. It cannot be comical. It cannot be beautiful. It cannot be explicit. It also cannot be abstract. Your audience has to go away from the spectacle shattered with an understanding of the horror, the irrevocable violation that […]
Lucy and me: Matshediso Mokoteli embraces the harrowing tale of Paul Noko’s ‘Fruit’ with wisdom and depth. Photograph by Andrew Brown. A YOUNG girl quietly talks of life, the universe and everything to her plastic doll, with the kind of illogical quietude and gentle give-and-take that little children adopt […]
Walk into any environment. Engage with strangers. What are the basic signifiers that enable you to do so? For one thing, language. For another, gender. An understanding of whether someone is a girl or a boy fundamentally affects how you respond to them. Call it upbringing. Call it […]
There’s an element of such blatant lasciviousness in the framework, articulation and texture of Jemma Kahn’s new kamishibai-redolent production that you have to laugh. Sex, like death onstage, needs to be handled with a level of spoof that expunges earnest urgency and enables it to entertain without sliding […]
Picture the scenario: the scene is cast, with a fabulous director, a seasoned duo of performers and a tuned piano. Chairs are placed, the tone is set. And then the power goes down. “It’s scheduled!” yell some. “It’s not!” yell others. But still, it’s dark as pitch, and […]
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