TAKE AN HISTORICAL site of worship that shrieks 1980s community in South Africa. Rattle its proverbial bones with the shadows and demons of what was profoundly taboo to that sense of community, then. Toss in some harsh lights, a dash of stage smoke and doef-doef music to make […]
VICIOUSNESS IS OFT a convenient veil to wear in the face of extreme anguish. Playwright Simon Woods takes a rich and complex understanding of social values and their tipping points in his extraordinary play, Hansard. Coupled with incisive direction by Robert Whitehead and a give-and-take performance by Fiona […]
FROM THE FIRST extrapolation of ‘Gorgeous!’ in the mouth of Celeste, the whole of the American Midwest is evoked, with all its texture and brashness, enthusiasm and disappointment, history and perspectives. Played by Kim Tatum, episode 17 of The End of the Line takes the complexity of sexuality […]
NON-BINARY SOUTH AFRICAN performance artist Dean Hutton has stood on the outside looking in, for most of their life. While this may be a horribly lonely position for a child, it is one of supreme potency for an artist at the summit of their personal, political and artistic […]
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