In terms of power she wields both as a character and a performer, Mpume Mthombeni as Nomsa is God in a pair of 1950s-evocative horn-rimmed specs and a dress appropriate to a middle-aged woman. She carries the world on her head and can invoke humility or catastrophe with a gesture.
“DON’T COMPROMISE YOURSELF; you are all you got,” were the words that Zoleka Helesi wrote on social media as a hook to her strongest beliefs. A giant of South African theatre, who took roles by their heart and guts allowed them to grab at immortality, Helesi believed implicitly […]
THE INDIGNITY OF mental illness is never an easy topic to extrapolate on stage. It can be complicated by drug-induced fantasies and illogical behaviour that fit and don’t fit into the world. For a theatre work being presented to an ordinary audience – and not students experimenting with […]
Lucy and me: Matshediso Mokoteli embraces the harrowing tale of Paul Noko’s ‘Fruit’ with wisdom and depth. Photograph by Andrew Brown. A YOUNG girl quietly talks of life, the universe and everything to her plastic doll, with the kind of illogical quietude and gentle give-and-take that little children adopt […]
There’s a kernel in this play that is so demonic and sinister it chills you to your heart, and while all the tools are there for a wise and raw bit of story-telling, for which director Mncedisi Shabangu’s work has become respected, surrounded by generally unconvincing performances, something […]
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