The production is delightful. It offers the now-57-year-old musical levity. As it opens, the lighting is rich with nuance. It feels like you’re gazing at a tableau of Rembrandt’s 1635 Belshazzar’s Feast not only for its colouration, but also in the evoked debauchery, teetering on the edge of biblical taboo.
THE COURT DRAMA in the wake of a murder of passion is arguably the most enthralling context for a thrilling story to unfold. Put it in the hands of one of South Africa’s finest directors, know that it sparkles with the words of the queen of murder mysteries […]
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