With her impish gap-toothed grin and her sprite-like existence onstage and in the interstices of the stories she told, fearless and impetuous dancer and choreographer Dada Masilo leaves a brilliant legacy that radically shifted an understanding of what dance from South Africa can and should be, anywhere in the world.
THEATRE REVIEW: BRETT BAILEY’S MACBETH. YOU MAY HAVE seen many productions of the Bard’s most violent tale of the catastrophe and tragedy of unbridled ambition, in your personal theatre-watching history. You may even feel a little blasé about the head counts and the blood spilled in this story. […]
THE POLITICS OF wickedness is something so well trodden in the world in which we live, that it feels disappointing to see Fred Abrahamse take a traditionally black and red and contextually erased response to Shakespeare’s bloodiest tale Macbeth. There have been so many monsters in our midst […]
ansunecilliers
beckkglass
Chester Miggels
Gillian Rennie
elizhanduvenhage
erinventer02
Geoff Sifrin
godukazinobulali
henricopg
huibrechtdehart
isabeausophiajoubert
jessicajoubert
kaylamullerr
matthewvanderwalt
meereieliefde
olgalouiselemmer
Peta Kaplan
Robyn Sassen
shanelschoombee
thembanhlapoart
Willem Pieter
zainabchoonara
Recent Comments