The chorus of ‘The Portrait of Dorian Gray’ wins the day. It articulates just the right level of shrieking witch howls to keep the work ticking over and yet off-key. The texture of their presence evokes the disparity created by Polish composer Krzysztof Penderecki in his avant-garde contemplations of horror.
WHAT WOULD YOU tell your children if you lived next door to hell? While they ramble through their idyllic garden and live their perfect life, how would you explain the occasional screams of abject terror uttered by strangers, in the night, or the appearance of blood on your […]
DO THE THINGS that go ‘boo!’ in the night still have fresh value of their own to curdle your blood and populate your nightmares? This is a question you may ponder when you see Doctor Sleep, a film marketed with horror novelist Stephen King’s name, which turns out […]
THE NAUSEATING CLASH of religious dogmaticism and sexualities which contradict hetero-norms is not something new. If you look at the issue of sexuality more broadly and infuse it with an historical glance at the culture and persecution of so-called witches, it simmers and seethes there too. Young playwright […]
IT WAS A music teacher in the early youth of composer Hans Roosenschoon (pictured) who suggested the boy write music for piano, instead of take the conventional route of mastering the instrument first. “I think it was out of desperation,” says Roosenschoon, this year’s composer-in-residence for the Johannesburg […]
CONTEMPORARY POLISH COMPOSER Krzysztof Penderecki is known for, amongst other things, the bravery – or madness — to allow performers freedom of diverse expression within a defined rubric. So, in works of his which deal with issues such as witch hunts and nuclear bombs, for instance, you get […]
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