‘So Long, Marianne’, a tribute to Marianne Faithfull is not only about the 1960s peaceniks or the proliferation of drug-users of the 1970s, it’s a piece threaded through with Shakespeare to make you weep, taking the voice of an angel to the depths of the demonic, with cigarettes and time.
‘The Tramp’ is punted as a pocket musical; it contains an immense ambit which peers into the complex life of a man who skirted controversy wherever he went. It holds you with beautiful performances and a set that strips the Chaplin name of cliche and gives analogue the upper hand.
HOW DO YOU give fresh life to a biography that has been told millions of times before? If you are Amanda Bothma, Kerry Hiles and Luke Holder, and the biography in question is that of the great Judy Garland, you immerse yourself into the very fabric of that […]
IT’S VERY RARE in this industry, in this country, that audiences are privileged to see skills so sharp and lithe, so wise and developed, in a performer who is so young. Daniel Anderson, at just 24, embraces performance with a full heart and an open soul, but much […]
WITH A TOUCH of Janis Joplin, a bow to Ella Fitzgerald and a nod to Satchmo, a notorious stubbornness and an in-born sense of what art is really and how it digresses from the business of money, Eva Cassidy was a once-off. Kerry Hiles gives her story immortality […]
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