The production is delightful. It offers the now-57-year-old musical levity. As it opens, the lighting is rich with nuance. It feels like you’re gazing at a tableau of Rembrandt’s 1635 Belshazzar’s Feast not only for its colouration, but also in the evoked debauchery, teetering on the edge of biblical taboo.
As loud, hard-edged stage musicals go, where the characters are dwarfed by massive technological sets, the lyrics are profoundly superficial and the lights set to penetrate your eyelids, Dear Evan Hansen presents technical competence. There are some beautiful moments of harmony between singers. Stuart Brown opposite Michael Stray collaborate compellingly.
THE SIMPLE, TIMELESS lyrics of Simon and Garfunkel are the kinds of conjoined words and ideas that may have slipped so quietly into your sensibilities that you may not remember how well you know them, until you’re sitting in the audience of the revue of the Simon and […]
Please note: This production makes extensive use of strobe lights. FEE-FIE-FOE-FUM! YOU CAN smell the energy of a brand new pantomime, which reeks ‘event’ in glittery stuff and shiny things from the moment you enter the theatre. There are some very clear budget cuts in this year’s Joburg […]
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