It acknowledges and celebrates the flow of gravity and of fabric and the use of the fingers, hair and the expressions of the face in the material. And with all the sturm and drang of excesses and morals, values and torment, the dancers are consistently deliciously light on their feet.
TRIBUTE TO VENTURA ROSENTHAL RESEARCHED BY MISHKA OLIVIER. NONA VENTURA ROSENTHAL, a brilliant musician and a true treasure to everyone who met her, gave a friendly and popular profile to the notoriously difficult-to-play harp. She succumbed to breast cancer, which she had battled since 2014, on 6 November […]
From the first opening bars of this extraordinarily powerful South African ballet, you get riveted to the score, the choreography and the story, almost exactly in that order, as the monstrous work unfolds. Spartacus of Africa is a mammoth achievement, the likes of which South African audiences don’t […]
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