TAKE AN HISTORICAL site of worship that shrieks 1980s community in South Africa. Rattle its proverbial bones with the shadows and demons of what was profoundly taboo to that sense of community, then. Toss in some harsh lights, a dash of stage smoke and doef-doef music to make […]
FILM REVIEW: VOËLVRY — THE MOVIE. THEY WERE MORE than just angry young Afrikaans-speaking men. Musicians of the ilk of Johannes Kerkorrel, James Phillips, Koos Kombuis, Bernoldus Niemand, Willem Möller and others had the edge that could force change in a country locked down by blind racist imperatives. […]
FILM REVIEW: MOFFIE HOWEVER MUCH OF the horror and cruelty you may think you will experience in Oliver Hermanus’s Moffie, there will be more. This searingly important testimony to the obscenity of South African apartheid is riddled with the kind of truisms that will make you wish to […]
ROUGH AND WISE words constructed around a complex and nuanced narrative and cast within the folds of metaphors and figures of speech, wickedly flipping languages up against one another, can never get old. Particularly if they are performed with a guttural perfection that is peppered with physical theatre […]
THE FILTHY OBSCENITY of ratified apartheid legislation in South Africa put a very special and specific spin on the meaning of taboo. This was never pornography in the traditional sense, because that form of sexual gratification was deemed completely verboten. Rather, what you got under the apartheid regime […]
IT WAS APARTHEID’S jester Pieter-Dirk Uys who some years ago famously cited the shenanigans of the state as being the best possible script writers for his work. He wasn’t alone. Playwright Mike van Graan doesn’t miss a beat in using every dirty nuance and crass irony dished out […]
“WHAT MATTERS MOST is how well you walk through the fire”, wrote American poet Charles Bukowski. His passionate, angry words in plain language are woven through Afrikaans-language radio play Springgety (Spring Tides) with wisdom and dexterity. This tale about depression and guilt, suicide and the ultimate (but not […]
Sometimes you just know that a film will most likely not break box office records, not in this generation, at least, but that this market-centric prediction has absolutely no bearing whatsoever on its brilliance, its historical merit or its importance as a piece of research. Johnny is nie […]
It’s a great rarity when you are privileged enough to see a play so ununtterably perfect that you feel were you to never see a play again, it would suffice. Fairly low-key, Dop is unequivocally a play of this standard. Premised on the clichéd honest friendship between a […]
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