STAND BACK FROM Agnieszka Holland’s film Charlatan, loosely based on the life of herbalist Jan Mikolášek (1889-1973) and the grand impression that it leaves sits like lead on your chest. Not that this is a bad – or inaccurate – thing. This intense portrait of, in large part, […]
WHEN A GREAT classic is slipped between the covers of a festival of contemporary film, you may approach it with the eye of a novel ready to embrace its nuances and romances. But you also may wish to switch gear to reflect on its epic greatness and philosophic […]
JUST WHEN YOU think your hero has met the greatest challenge he’s capable of weathering, he pops to the surface to return victorious again, all cleaned up with the scars on the inside. This is the message prominent in Michael Moer’s reworking and direction of Papillon for 2018 […]
It’s odd to think that a director could get some parts of a film so right, but enable an ending for a film that so profoundly negates all its explored values in one foul swoop. While François Girard’s Boychoir probes the preciously transient phenomenon of the soprano boys’ […]
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