Through seducing you into engaging with it, the exhibition places you in dialogue with its artworks. It constantly asks you, “What do you think?” There is an ever-present spirit of collaboration between curator and visitor, inside and outside, space and body, prompting new relationships of meaning to form, again, again.
THE POLITICS OF wickedness is something so well trodden in the world in which we live, that it feels disappointing to see Fred Abrahamse take a traditionally black and red and contextually erased response to Shakespeare’s bloodiest tale Macbeth. There have been so many monsters in our midst […]
THERE’S A POTENT and muscular articulation of joy as you enter the gallery space for the Stevenson Gallery’s celebration of its 15th anniversary. It’s difficult to pinpoint why this happens because contemporary artwork is traditionally not happy but contemplative, not easy but sophisticated and often very self-focused. The […]
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