Gofaone Bodigelo is a Medea who is angry to the point of blindness, but she never loses her sense of being a woman wronged rather than a witch. It is, however, the chorus: 17-year-olds Natasha Dube and Malcom Moloi that leave you shattered by the sheer potency of their performances.
The chorus of ‘The Portrait of Dorian Gray’ wins the day. It articulates just the right level of shrieking witch howls to keep the work ticking over and yet off-key. The texture of their presence evokes the disparity created by Polish composer Krzysztof Penderecki in his avant-garde contemplations of horror.
SEXUALITY, SONG AND the fear of losing what matters comes under the loupe in Choir Boy, a hard-hitting, yet simple play which is sensitively and relevantly translocated from an American context to a local one. Comprising a cast of four young men who articulate the groups and cliques, […]
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